Paper Mill Playhouse (Mark S. Hoebee-Producing Artistic Director, Todd Schmidt-Managing Director) is proud to announce casting for its winter comedy, Christopher Durang's Vanya and Sonia and Masha and Spike.
This touching and wickedly hysterical Tony Award-winning best play features Broadway, television and film veterans: Philippe Bowgen (Spike), Gina Daniels (Cassandra), Carolyn McCormick (Masha), Mark Nelson (Vanya), Michele Pawk (Sonia) and Jamie Ann Romero (Nina). Vanya and Sonia and Masha and Spike will be directed by Don Stephenson. Vanya and Sonia and Masha and Spike will run eight times a week at the Millburn, New Jersey, theater from January 21 through February 15, 2015. The official press opening night is Sunday, January 25, at 7:00pm. Paper Mill Playhouse's 2014-2015 Season is proudly sponsored by Investors Bank.
The master of comedy, Christopher Durang, mixes six distinct characters and dishes up a hilarious stew in Vanya and Sonia and Masha and Spike. Vanya and his adopted sister Sonia live a quiet life in the Pennsylvania farmhouse where they grew up, but their peace is disturbed when their movie star sister Masha returns unannounced with her twenty-something boy-toy, Spike. A weekend of rivalry, regret, and raucousness begins. "Will Vanya and Sonia ever find happiness? Will Masha sell the Bucks County farmhouse out from under them? And will Spike ever put his pants on?" writes USA Today.
Vanya and Sonia and Masha and Spike will be performed at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.
Tickets are on sale now and range from $28 to $99. Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org. Visa, MasterCard, Discover, and American Express accepted. Groups of 10 or more can receive up to a 40% discount on tickets and should call 973.315.1680. College students can order $20 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.
“The thing I really admire about Vanya and Sonia and Masha and Spike is the way it jumps back and forth from funny to touching, and it does both very well,” commented director Don Stephenson.
Following is our original review of Vanya/Sonia when it opened on Broadway:
Vanya and Sonia live in an old farmhouse in Bucks County, Pa. (near Upper Black Eddy) by themselves.
This is the home that they were raised in. Their parents (two professors
who were great lovers of Chekov) picked their names from the characters
in Chekov's plays.
The parents are deceased. Vanya and Sonia's sister Masha no longer
resides in the house with her siblings. She left a long time ago to become
a successful actress. She didn't hang around as the parents fell into
their dotage. But Vanya and Sonia did and they cared for their parents
day after day as the parents withered away. And Vanya and Sonia (who are
not biological siblings because Sonia was adopted) will be happy to
tell you all about this -- especially, Sonia who feels she gave up her
own life for her parents, for her brother, for the house, for . . . .
what, really?
Vanya and Sonia never married.
But Masha married and divorced five times. She has the ego of a hugely
ambitious actress and the body of a much younger woman. But she's still
getting old, just like Vanya and Sonia.
They are of a certain age -- the age at which other people start to look away.
These are the main characters of Christopher Durang's new Broadway comedy Vanya (David Hyde Pierce) and Sonia (Kristine Nielson) and Masha (Sigourney Weaver) and Spike (Billy Magnussen).
So, you're probably wondering where Spike came from, huh?
Well, he's Masha's Boy Toy. He's the play's dumb blonde. And all the
trouble begins when Sonia brings him home to Bucks County for a visit,
ostensibly to attend a local costume party but really to tell Vanya and
Sonia that she plans to sell the house.
Okay, I won't give away any more of the story -- except to say that into
the mix fall a clairvoyant housekeeper and a perky neighbor who's an
aspiring young actress.
Are you imagining plot lines yet?
Well, be careful -- because amidst all the verbal and physical comedy this play has its share of surprises.
Vanya may seem laconic but don't be fooled by his seemingly detached attitude.
Sonia may seem overly-sensitive and downright depressed but she's remarkably resilient.
Masha may seem successful, self-confident and content but she's missing some deep-rooted something.
And Spike? Well, what you see is what you get. He's just a young, lithe,
toned, near-perfect physical specimen. But don't think he doesn't have a
plan, sorta.
When these four characters come together the result is nothing less than
uproarious. The witty zingers, clever asides, wry musings and
think-out-loud comic pronouncements bounce off the old farmhouse walls
and cascade into the audience with wildly risible results. At times
there's so much laughter that you can hardly hear what the actors are
saying. At one point Vanya says of Spike: "Why does he keep taking his
clothes off?" And Sonia answers: "Because he can!"
It's a great line -- as are many, many lines in this play. But these
aren't merely one-liners. This isn't just a bunch of gags and jokes. All
of this (even the highly-animated and just-this-side-of-raunchy
physical comedy) fits together into a bittersweet package that induces
guffaws but still sends you home thinking.
It all comes together in a brilliant monologue delivered in the second
act by Vanya, and David Hyde Pierce steals the show with it. But every
actor in this play shines.
There's more than a generational clash at work here. This show about
Baby Boomers as they enter the last phase of their lives in a world they
never dreamed of - a world they neither own nor understand; and a world
that they don't influence much anymore, either. Suddenly, they're
longing for a nicer, sweeter, gentler time and they're lecturing others
about manners and morality. Horrors! This is not the world they intended
to create, is it? How did this happen? Where did their lives go?
And, yes -- this is probably about The Meaning of Life and about Loss
and Lamentation and so forth but we couldn't really tell you how or if
it's really all related to Chekov because though we read all of Chekov
in college, we've forgotten it. Much as the boomers in this play, we've
just blocked it all out.
If only Vanya or Sonia or Masha had bothered to have children, but they didn't.
If only Spike didn't act so childish, but he does.
But to hell with all that. And enough Chekov, too. Because it's all okay
in the end. The characters find their way as best they can.
And you will have a great, great time in the theater.
We promise you.
Get. Tickets. NOW!
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