Closing Thursday, January 8 and reopening Saturday, February 7, 2015,
The Rodin Museum, which holds one of the largest collections of works
by French sculptor Auguste Rodin in this country, will undergo a
full-scale reinstallation focusing on the sculptor’s remarkable
achievements as a portraitist.
The Rodin will close on Thursday, January 8 and reopen on Saturday, February 7 with the new installation.
The new presentation will showcase the
sculptor’s most iconic portraits as well as exceptional works that have
not been on view for several years. It will bring together a group of
works that embody the artist’s realist spirit, offering a broader
understanding of his contribution to the formation of modern art.
Jennifer Thompson, the Gloria and Jack Drosdick Associate Curator
of European Painting and Sculpture before 1900 and the Rodin Museum,
said: “One of the great delights of this rich collection is the range of
works that illuminate the breadth of Rodin’s artistic career. His
portraits were prized in his day for their depth and honesty, and they
continue to offer fascinating insights into his sculptural practice. In
the new installation, visitors will have the opportunity to look at this
prolific and complex artist from a fresh perspective.”
Among the highlights are busts demonstrating Rodin’s varied
approach in pursuing portrait commissions, including those of such
notable figures as Pope Benedict XV, composer Gustav Mahler, and
publishing magnate Joseph Pulitzer. The artist’s depiction of Madame
Vicuña, the wife of the Chilean ambassador to Paris, was the favored
sculpture at the Salon of 1888—a validating moment in the sculptor’s
career. The portraits also include a number of celebrated French writers
such as Honoré de Balzac, Victor Hugo, and Barbey d’Aurevilly, and
several fellow artists such as Jules Dalou, Alphonese Legros, John-Paul
Laurens, and Eugène Guillaume.
These works will be highlighted within a
broader narrative of Rodin’s life, his career, and the culture of late
nineteenth and early-twentieth century Paris. Also of great interest is The Athlete,
a work that conveys Rodin’s fascination with anatomical detail. The
model for this work was Samuel Stockton White III, the only
Philadelphian to model for Rodin.
Rodin’s romantic life also figures in the installation and is
reflected in works for which the models were his long-time companion and
wife Rose Beuret, and his close artistic collaborator and lover Camille
Claudel, who was described by a contemporary as “something unique, a
natural rebel, a woman of genius.” Thought, which presents
Camille’s elegant head rising from a rugged block of marble, suggests
the power of the mind and Rodin’s genius for transforming materials.
Rodin, who married Rose only in the last year of their lives, conveys
her as the spirited jealous lover in Mignon, also the title character of an 1866 opera by Ambroise Thomas.
In 2012, when the Rodin Museum reopened following extensive
renovations, the inaugural installation focused on the genesis of the
artist’s seminal masterpiece, The Gates of Hell. In the new installation, numerous figures that developed out of The Gates of Hell will be reconsidered under the lens of portraiture, including such favorites as The Thinker. In the main gallery, Henri Gréber’s marble replica of Rodin’s The Kiss will
remain on view, introducing the notion that many couples claimed to
have served as models for the lovers, but the sitters who posed for it
remain anonymous today.
The Rodin Museum will be open to the public from 10:00 a.m. to
5:00 p.m. Wednesday through Monday. It will be closed on Tuesdays.
Social Media:
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The Rodin Museum and its collection have been administered
by the Philadelphia Museum of Art since 1929. The Philadelphia Museum of
Art gratefully acknowledges the contributions of our many visionary
donors who have made, and continue to make, projects like the
restoration and renovation of the Rodin Museum possible.
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