Discover the beauty and cultural significance of phulkari, ornately embroidered textiles from Punjab, a region straddling Pakistan and India at the Philadelphia Museum of Art, now through July 9 only.
In addition to stunning examples from the Jill and Sheldon Bonovitz Collection, this exhibition features traditional phulkaris from the Museum’s collection and high-fashion ensembles by one of India’s leading designers, Manish Malhotra.
Phulkari, meaning “flower work,” is a labor-intensive textile made of vibrant silk embroidery on a plain-woven cotton cloth. Deeply rooted in Punjabi life before the 1947 Partition of India and Pakistan (which split the Punjab region), this tradition has become a powerful symbol of Punjabi cultural identity.
Usually worn by women as large shawls on special occasions, phulkaris were also made as blankets or as furniture covers or hangings. Women of many religious groups—Muslims, Hindus, Christians, and Sikhs (who consider the Punjab their holy land)—stitched phulkaris, with young girls learning needlework from older female relatives and friends. They often created the embroideries for their dowry, which they brought to their new homes when they married.
Some phulkaris depict animals and village scenes, while others display complex geometric patterns in bold colors conveying good fortune and social status. Whether figural or geometric, all are rich in symbolism: after the 1947 Partition, phulkari textiles became an important symbol for the new nation of Pakistan.
Over the past half century, phulkari techniques and patterns have experienced a revival, especially as a commercial art. As an emblem of pre-Partition village life, phulkaris have been celebrated in popular music and videos. More recently, this folk tradition has entered the realm of high fashion through designers such as Manish Malhotra, who recently created a phulkari-based couture collection.
Usually worn by women as large shawls on special occasions, phulkaris were also made as blankets or as furniture covers or hangings. Women of many religious groups—Muslims, Hindus, Christians, and Sikhs (who consider the Punjab their holy land)—stitched phulkaris, with young girls learning needlework from older female relatives and friends. They often created the embroideries for their dowry, which they brought to their new homes when they married.
Some phulkaris depict animals and village scenes, while others display complex geometric patterns in bold colors conveying good fortune and social status. Whether figural or geometric, all are rich in symbolism: after the 1947 Partition, phulkari textiles became an important symbol for the new nation of Pakistan.
Over the past half century, phulkari techniques and patterns have experienced a revival, especially as a commercial art. As an emblem of pre-Partition village life, phulkaris have been celebrated in popular music and videos. More recently, this folk tradition has entered the realm of high fashion through designers such as Manish Malhotra, who recently created a phulkari-based couture collection.
We're happy to share photos (below) from our visit to the exhibition but we strongly urge you to see it for yourself. Nothing can match a real, live viewing of these exotic works of art!
All photos by Dan Cirucci.
No comments:
Post a Comment