Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Friday, July 31, 2026

Celebrity's Seduction And The Outing Of Fauci

Dr. Anthony Fauci has been outed.

Outed as a shameless glitterati wannabe. Outed as a relentless attention seeker. Outed as a star-crossed celebrity worshiper.

It would all be laughable if it wasn't so pathetic. After all, Fauci is not some preteen little girl at a Taylor Swift concert. He's an 85-year-old man, a supposedly renowned medical doctor and self-proclaimed scientist who vaulted himself into the highest reaches of power and notoriety during one of the darkest periods in our nation's history. 

During that time, Fauci became enamored with himself -- seeing himself as the bright star, the luminous guiding light, the incandescent, all powerful Oz who would show us the way. But in truth, there was no one behind the curtain -- just a tiny gray haired man with beady eyes who was busy admiring himself in an endless hall of mirrors.

And it was in that hall of mirrors that Fauci lost his way, much as one would in a cheap, gaudy, touring carnival attraction. 

At the congressional hearing the other day Fauci pleaded the Fifth. But before he did so, he complained about efforts to embarrass him with the release of his diary entries. But it was Fauci who embarrassed himself. Because it was Fauci who, in his haste to sing his own praises, foolishly tapped out those daily diary entries on a government computer. Imagine! 

But no one should be surprised by all this. A friend of mine recently noted that there are countless Faucis everywhere -- forgotten bureaucrats, mid-level paper pushers, anonymous bean counters, faceless clerks, managers, mechanics and functionaries. They want to be Somebody. They want to sit at the Cool Kids Table. 

Every so often, for one in a gazillion of 'em, lightening strikes. It happened to Little Tony Fauci, a kid from Brooklyn who worked in his father's pharmacy tending the cash register, stocking shelves, and delivering prescription medicines to neighbors on his blue Schwinn bicycle. 

Somewhere within Anthony Fauci lived an insatiable desire to be recognized, to be validated. And soon enough he was recognized, and even honored and then revered. But it didn't ever seem to be enough. It must not have been glamorous enough, shiny enough or ego-fulfilling enough. And let's not forget that even a small dose of fame can be a dangerous thing.

So before long, Fauci was seeking more and more and more, gleefully cataloguing all his Big Time attention-grabbing moments, clutching his press clippings and fan mail like some Hollywood divo who kept everyone on the set waiting while he fussed and preened in his dressing room.

In his autobiography, published in 1868, Horace Greeley got it right: "Fame is a vapor, popularity an accident . . . Only one thing endures and that is character."


 

Tuesday, July 28, 2026

Why Moviegoers Naturally Crave Stars . . .

The great movie critic Pauline Kael explained it better than I ever could nearly 60 years ago, in 1968:

There’s hardly a star in American movies today, and if we’ve got so used to the absence of stars that we no longer think about it much, we’ve also lost one of the great pleasures of moviegoing: watching incandescent people up there, more intense and dazzling than people we ordinarily encounter in life, and far more charming than the extraordinary people we encounter, because the ones on the screen are objects of pure contemplation—like athletes all wound up in the stress of competition—and we don’t have to undergo the frenzy or the risks of being involved with them. In life, fantastically gifted people, people who are driven, can be too much to handle; they can be a pain. In plays, in opera, they’re divine, and on the screen, where they can be seen in their perfection, and where we’re even safer from them, they’re more divine.

Thursday, July 2, 2026

The Color Of Her Eyes? Absolutely Breathtaking!

Greta Garbo.

She really was the most beautiful movie star ever. But during her brief career (before she gave it all up to live a private life) very few color photographs of her were taken. That was because all of Garbo's movies were in black-and-white, which was then the norm.

But we do have some color photographs of Garbo (including a later in life passport photo) and they reveal her luminescent hazel/violet eyes -- absolutely beguiling! Small wonder the actress Melina Mercouri once said that when she met Garbo and gazed into her eyes, it took her breath away.

Note: these photos are not colorized. They're genuine. Enjoy!









Thursday, June 11, 2026

One Movie Star's Magnificent Legacy!
















He starred in horror movies but in real life he was a sentimental man who LOVED children. His lifelong advocacy and commitment to youth charities are carried on by the Boris Karloff Charitable Foundation. 

Tuesday, June 2, 2026

Friday, April 10, 2026

When The Oscars Really Meant Something

And movies were movies, stars were stars and actual, top-notch acting really counted for something  . . . 1975 . . . 



Saturday, March 21, 2026

How Ugly Media Bias Infects EVERYTHING!


 

Remembering Chuck Norris, An American Patriot

Monday, March 2, 2026

Thursday, February 5, 2026

From Pentagon Papers To Epstein: A Sordid Slide!

In 1971 (55 years ago!) when the Pentagon Papers—also known as the Ellsberg files—were leaked to the American public, the nation experienced a shock that was intellectual, moral, and civic all at once. 

The documents exposed years of deception by successive administrations about the Vietnam War, revealing how leaders knowingly misled Congress and the public while thousands of Americans died and millions of Vietnamese suffered. The fascination with the Pentagon Papers was intense, but it was also serious. Americans argued about executive power, national security, the role of the press, and the ethical obligations of government in a democracy. It was a scandal rooted in policy, war, and truth.

More than half a century later, the public fixation surrounding the gradual release of materials connected to Jeffrey Epstein feels profoundly different. To begin with, what we're learning is not particularly shocking, in part because nothing seems to shock anymore. 

Also, the Epstein files—names, flight logs, testimonies, settlements—do not revolve around war, strategy, or constitutional authority. Instead, they're all about sex, exploitation, and alleged pedophilia among wealthy and powerful figures. The fascination is perhaps just as intense as it was in 1971, maybe even more so, but it is qualitatively different. Where the Pentagon Papers forced Americans to reckon with the moral costs of empire and governance, the Epstein saga draws attention to a moral rot of a more lurid, personal, and salacious kind.

The contrast suggests not merely a change in subject matter, but a shift in societal priorities and sensibilities. In 1971, ordinary Americans—factory workers, students, homemakers—followed dense newspaper articles about foreign policy and classified memos. The language was complex, the issues abstract, and the stakes enormous. 

The outrage was not prurient; it was civic. People asked whether their government could be trusted; whether a questionable war in the first place was nothing more than an incestuous web of secrecy and lies. This was not a golden age -- America was riven by violence, protest, and division (sound familiar?) -- but it was a time when national attention was focused on matters of genuine public consequence.

Today, by contrast, our collective obsession often seems rooted in exposure rather than accountability. The Epstein files fascinate because they promise to reveal who did what to whom, behind closed doors, on private planes and islands. The focus is less on systemic reform than on voyeuristic revelation. Names matter not because they illuminate policy failures, but because they titillate and scandalize. The question is no longer “How did our leaders mislead us into war?” but “Who was involved, and how depraved was it?” It's patently prurient.

This shift reflects a broader cultural trajectory—what sociologist and Senator Daniel Patrick Moynihan once called “defining deviancy down.” Over time, behaviors that would once have provoked shock or moral consensus become normalized, relativized, or absorbed into entertainment. 

This should surprise no one, when you consider that pornography has moved from the margins to the mainstream. Ever since Bill Clinton declared "I did not have sex with that woman," sexual scandal is no longer exceptional; it is expected. The boundary between news and tabloid has eroded, leaving a culture in which exposure substitutes for judgment and outrage is endlessly recycled, like a seedy salad of click bait, but rarely productive, 

To be sure, this does not mean the Epstein case is unimportant. Sexual exploitation, especially of minors, is a grave crime, and the possibility that powerful individuals evaded justice is deeply troubling. But the way the story is consumed—fragmented, sensationalized, and stripped of broader ethical reflection—reveals something unsettling about us. The danger is not that we care about wrongdoing, but that we care in a way that trivializes wrongdoing and flattens all of it into just so much spectacle.

In 1971, we honestly believed that the release of classified documents strengthened the idea that citizens must be informed to be free. That was, after all, a vital part of the the modus operandi for the leak of the Pentagon Papers by Daniel Ellsberg. Today, the constant drip of scandal risks dulling our moral senses. We know more intimate details about the lives of elites than ever before, yet still seem eons removed from the indulgent world they inhabit. At the same time. we're less capable of sustained attention to structural injustice, foreign policy failures, or long-term national decline. The serious competes with the sordid—and often loses.

What happened to us? Part of the answer lies in media economics, part in technological change, and part in a cultural turn inward. Have we become a society more comfortable judging personal sin than confronting collective responsibility? Is that the problem? Or is it the elites and our public institutions that have let us down by opening the doors to a culture without moral guardrails where excess is rampant and graft, corruption, deceit and promiscuity know no bounds, ushering in a new Babylonian age?

The trajectory from the Pentagon Papers to the Epstein files is troubling because this is not just a change in scandal; it is a mirror held up to our values. Once, we were transfixed by lies that sent young men to die. Now, we are mesmerized by secrets that confirm our worst suspicions about human weakness and our decline. The slide may indeed feel slow and sordid—but it is also revealing. It tells us not only what our leaders have done, but more than that. It tells us what we, as a society have become numb to (even as we gaze upon it) and what we are willing to accept, if not countenance.